Record visitor numbers leads to economic crisis at the Swedish National Museum and The World’s Northernmost Chinatown opens in Kirkenes.
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Lindsay Seer’s colour-restrained and inverted photographs attempt to rescue the image from manipulative discourses.
Netflix’s new art world horror film, Velvet Buzzsaw, capitalises on the real life horrors of the art world.
Lund’s Konsthall’s exhibition about Chile’s contemporary history is at its best when it establishes critical distance to its politically and emotionally charged subject.
How Destiny’s Gratinée at Kunstnernes Hus sent me into a meditation on hats and painted chambers from the 15th century.
A decrease in funding hits the art scene in the South of Sweden. In Oslo, seven galleries arrange a new art fair. And Kunstkritikk goes international.
The notable exhibition series Game of Life at Kristiansand Kunsthall concludes with a masterful, if sombre dissonance.
Kunstkritikk is getting a makeover. We will be back soon in Danish, Norwegian, Swedish and English.
The OCA publication Sovereign Words insists on the difference between cultivating traditionalism and being true to one’s own traditions.
Martin Sæther’s low-key and poetic exhibition at UKS in Oslo gives centre stage to the impersonal details of home interiors.
Peter Wächtler is in full control of his palette at Bergen Kunsthall.
Peter Johansson’s double exhibition in Malmö is a heartbreaking reckoning with the sexual abuse the artist was subjected to growing up in the 1970s.